lunes, 24 de julio de 2017

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jueves, 6 de julio de 2017

Los Trovadores - Cuequita cordillerana - solo audio - Vìdeo Dailymotion


Los Trovadores - Cuequita cordillerana - solo... por vasiendo



Los Trovadores - Cuequita cordillerana - solo audio - Vìdeo Dailymotion: Los Trovadores - 1968 Los Trovadores - 1968 - Francisco 'Pancho' Romero, Carlos José Pino, Héctor Anzorena, Damián Sanchez y Francisco 'Quito' FIgueroa cantan la 'Cuequita cordillerana' cueca del Chango Rodriguez. Cuequita Cordillerana - Cueca (Chango Rodríguez) Cuequita cordillerana allá va, allá va la cueca de la ilusión Se va por la cordillera y llorando queda mi negra. Se va por la cordillera y también se va mi amor. El toro se ha vuelto manso y la vaca está más brava iré cruzando el remanso si mi callo no se traba me iré cruzando el remanso con mi vaca colorada. Cuequita cordillerana allá va, allá va la cueca de la ilusión Repique contra repique que mi callo no se achique. Repique contra repique que mi negra no se aflige. Va repiqueando la cueca y llorando las guitarra, zapateando las parejas para que dure la farra, zapateando las parejas con el bombo y la guitarra. Allá va, allá va, allá va, ay, mi comadre. La baila con su compaire dale una vuelta en el aire. Cuequita cordillerana pa' bailarla hasta mañana.

viernes, 9 de junio de 2017

Antonio de Cabezón - Tientos y Glosados - Ensemble Accentus

1. Diferencias Sobre La Gallarda Milanesa
2. Tiento I
3. Fabordon Y Glosas Del Primer Tono Ilano
4. Ancol Que Col Partire
5. Himno: Ave, Maris Stella VI
6. Pavana Con Su Glosa
7. Pues A Mi Desconsolado – Juan de Cabezón
8. Dic Nobis, Maria
9. Diferencias Sobre Guarda Me Las Vacas
10. Diferencias Sobre El Canto De La Dama Le Demanda
11. Fabordon Y Glosas Del Sexto Tono
12. Diferencias Sobre El Canto Del Cauallero
13. Pavana Italiana
14. Tiento XVIII
15. Himno: Te Lucis Ante Terminum
16. Du Uien Sela
17. Susana Un Jur: Glosado  - Hernando de Cabezón
18. Romance: Para Quien Crie Yo Cabellos
19. Himno: Pange Lingua V
20. Rugier, Glosado De Antonio
Aquí

Polyphonies vocales de aborigenes de Taiwan

Aquí 

jueves, 8 de junio de 2017

Ethiopie - Polyphonies Et Techniques Vocales, 1968

Ethiopie: Polyphonies et Techniques Vocales
Label: Ocora
Catalog#: OCR 44
Editeur: Harmonia Mundi
Format: Vinyl, LP
 Country: France
Released: 1968
Genre: Folk, World, & Country
Field recordings & photographs by Jean Jenkins.
Produced by Charles Duvelle.
Notes: Recorded with the support of Office de coopération radiophonique.
Songs performed by members of the Dorze, Rashaida, Ghimira, Gidole, Maji, Aderi, Sidamo, Guji,
Tigre and Galla Ethiopian ethnic groups.
Comes with an 8-page insert.
Tracklisting:
A1   Canon (3:30)
A2   Diphone (3:32)
A3   Duo (1:50)
A4   Duo (0:58)
A5   Polyphonie (3:28)
A6   Polyphonie (3:02)
A7   Duo (1:58)
B1   Choeur D'hommes (1:40)
B2   Ensemble (1:25)
B3   Choeur D'hommes (3:30)
B4   Récitatif (2:00)
B5   Choeur Des Jeunes Filles (3:00)
B6   Choeur D'hommes
B7   Ensemble (3:40)

Review by Eugene Chadbourne, All Music Guide "The black album" is often how world music fanatics refer to this recording, most often to identify it from among many other collections of Ethiopian vocal music. There is a rumor that the usually reliable photographers used for these projects of the Horniman Museum came up blank, since lavish color and black-and-white photography is a trademark of the Ocora series. A few black-and-white shots are provided in the
inner booklet to a cover that is pitch black except for title lettering, but the creator of the entire project, Jean Jenkins, seems to have been more concerned with collecting a concise yet thorough set of examples of the different types of innovative and remarkable vocal music from this country. Many of the musical techniques found in the music of Ethiopia differ from most other types of African music, including aspects of vocal music arrangement that are more likely to be found in a classical music piece. Some of the different tribes represented here have been subjects of entire album anthologies on their own, such as the Dorze, whose polyphonic canons are strictly organized and repeated exactly to form. The music of the Rashaida, on the other hand, has both a catchy melody and an interval of a fifth that gives it a bit of the feel of an American folk song. The repetitive, cyclical, and subtly shifting music of the Ghimira brings to mind avant garde composers such as Steve Reich, while the amorous howling of the Gidole sounds a bit like a pack of drunks on the approach until one's ear sorts out the unison parts. The Ghimira come back with an even stronger, more soulful number, this time beating out a rhythm on their shields with sticks. Maji music is pure magi(c): Like the pygmies, they create a music of patterns combining with yodeling and the sound of bamboo flutes.
The Guji are perhaps more representative of typical examples of Ethiopian music presented in classroom overviews. Looking for ways to keep students awake, professors will happily subject them to the strange buzzing, whistling, and panting techniques that are part of this people's singing style. Yet the real way to get these students to tune in would be to play the music of the Tigre people, chosen to conclude the album since it would be pretty difficult to follow up. These folks like to make a sound effect by cupping a hand under an armpit and pumping air through. Whoever is able to create the best sound grabs the solo spot, jumping to the center of the circle. The liner notes
kindly inform listeners, "It is difficult to continue for more than a few seconds,
and the soloists change very frequently."
~ Eugene Chadbourne, All Music Guide

Aquí 

lunes, 29 de mayo de 2017

Música Barroca Valenciana

Hola, hola, au
Lamentación II de feria V a solo de tiple, dos flautas dulces y címbalo  
Lamentación sola con violines
Maria Virgo Assumpta
Morir es probar dulzuras  
Mortales que amais
Oigan al bobo
Recercada a tres de dos triples
Recercada a tres sobre el pange lingua
Venid valencianos  

Aquí 

domingo, 28 de mayo de 2017

Grupo de Cámara Narval . concierto didáctico de música A Capella

Materiales de formación para el profesorado de música de Educación Secundaria :
breve recorrido por la historia de la música vocal-coral :
concierto didáctico de música A Capella, Grupo de Cámara Narval

Material de apoyo a los conciertos didácticos que programa la Dirección General de Educación de la Comunidad de Madrid.
Se conciben como actividades de formación del profesorado de Secundaria y
para ser incorporados a sus respectivas programaciones. Recoge un breve recorrido por
la historia de la música vocal-coral, desde la Edad Media hasta nuestros días

01 - Anónimo - Ut queant laxis
02 - Alfonso x el sabio - Cantiga nº 100
03 - Juan Del Enzina - Hoy comamos y bebamos
04 - Tomás Luis de Victoria - Ave maria
05 - Orlando di Lasso - O la! o che bon eco!
06 - John Dowland - Come again
07 - Claudio Monteverdi - Lasciatemi morire
08 - Georg Friedrich Haendel - Canticorum jubilo
09 - Anónimo ss. svii-sviii - Dona nobis pacem
10 - Wolfgang Amadeus Mozart - Ave verum corpus
11 - johannes brahms - wiegenlied
12 - Richard Genée - Ensalada italiana
13 - Heitor Villa-Lobos - Rosa amarella
14 - Rodolfo Halffter - Epitafio de dulcinea
15 - Howard-Emerson (arr.  Wirsching) - Hello, my baby
16 - Peter Gritton - Follow that star
17 - Lennon-Mccartney - When i'm sixty-four
18 - José María Cano (arr. Narval) - Hijo de la luna

The Chambelanes - Misa Criolla A Capella. A.Ramirez - Motetes del siglo de oro español

Álbum: Misa Criolla a cappella
Género: Classical
Año: 1999
01  Misa Criolla a cappella - Kyrie
02  Misa Criolla a cappella - Gloria
03  Misa Criolla a cappella - Credo
04  Misa Criolla a cappella - Sanctus
05  Misa Criolla a cappella - Agnus Dei
06  Ecce virgo concipiet
07  Jubilate Deo omnis terra
08  Maria Magdalene
09  Missa de la Batalla escoutez - Kyrie-Christe
10  Missa de la Batalla escoutez - Gloria
11  Missa de la Batalla escoutez - Sanctus
12  Missa de la Batalla escoutez - Hosanna-Benedictus
13  Missa de la Batalla escoutez - Agnus Dei
14  Ave Maria
15  O vos omnes
16  Laudate Pueri (Psalmus 112/113)

Aquí 

martes, 23 de mayo de 2017

Choral Adagios

Barber: Adagio for Strings, Op.11/2 (Arr. Runswick)
by London Voices & Terry Edwards
Mozart: Ave verum corpus, K.618
by The Choir of King's College, Cambridge & James Vivian & Stephen Cleobury
Gounod: Ave Maria, CG89a (from Bach Prelude in C, BWV 846)
by Ben Hulett & Helen Tunstall & Choir of New College, Oxford & Edward Higginbottom
Fauré: Pavane, Op.50
by Choeur de l'Orchestre Symphonique de Montréal & Orchestre Symphonique de Montréal & Charles Dutoit
Franck: Panis Angelicus, Op.12, FWV 61
by The Choir of King's College, Cambridge & James Vivian & Stephen Cleobury
J.S. Bach: Suite No.3 in D, BWV 1068 - Arr. Runswick - 2. Air
by London Voices & Terry Edwards
Stanford: Eight Part-songs, Op.119 - The Bluebird
by Choir Of New College, Oxford And Edward Higginbottom
Rodrigo: Concierto de Aranjuez - 2. Adagio (Arr. Runswick)
by Michael Conn & London Voices & Terry Edwards
Mascagni: Cavalleria rusticana - "Regina coeli laetare"
by Julia Varady & The London Opera Chorus & The National Philharmonic Orchestra & Gianandrea Gavazzeni
Ravel: Pavane pour une infante défunte, M.19 (Arr. Runswick)
by London Voices & Terry Edwards
Rossini: O Salutaris Hostia
by Choir Of New College, Oxford And Edward Higginbottom
Brackett: Simple Gifts
by The Mormon Tabernacle Choir & Jerold Ottley
Tavener: Song for Athene
by The Choir of King's College Cambridge & Stephen Cleobury
Puccini: Madama Butterfly / Act 2 - Coro a bocca chiusa (Humming Chorus)
by Wiener Staatsopernchor & Wiener Philharmoniker & Herbert von Karajan
Allegri: Miserere
by Alastair Hussain & The Choir of King's College, Cambridge & Edward Gardner & Stephen Cleobury

Disc 2

J.S. Bach: Herz und Mund und Tat und Leben, Cantata BWV 147 - Jesu, Joy of Man's Desiring
by Choir Of St. John's College, Cambridge & Peter White & George Guest
Handel: Crux Fidelis (after "Ombra ma fu"- Xerses, HWV 40)
by Capricorn and Choir of New College, Oxford and Edward Higginbottom
Rutter: What Sweeter Music
by Choir Of New College, Oxford And Edward Higginbottom
Schubert: String Quintet in C major, D. 956 - 2. Adagio (Arr. Runswick)
by London Voices & Terry Edwards
Traditional: Shenandoah
by The Mormon Tabernacle Choir & Jerold Ottley
Fauré: Requiem, Op.48 - 7. In paradisum
by Choeur de l'Orchestre Symphonique de Montréal & Orchestre Symphonique de Montréal & Charles Dutoit
Borodin: String Quartet No.2 in D major - 3. Notturno (Arr. Runswick)
by London Voices & Christopher van Kampen & Terry Edwards
Tchaikovsky: Piano Concerto No.1 In B Flat Minor, Op.23, TH.55 - 2. Andantino semplice - Prestissimo - Tempo I (Arr. Runswick)
by London Voices and Peter Aronsky and Terry Edwards
Rachmaninov: Vespers (All-Night Vigil), Op.37 - 3. "Blazhen muzh"
by Choir Of New College, Oxford And Edward Higginbottom
Beethoven: Symphony No.7 in A, Op.92 - 2. Allegretto (Arr. Runswick)
by London Voices & Terry Edwards
Mozart: Piano Concerto No.21 In C Major, K.467 - 2. Andante (Arr. Runswick)
by Peter Aronsky & London Voices & Terry Edwards
Fauré: Cantique de Jean Racine, Op.11
by Choir Of St. John's College, Cambridge & Stephen Cleobury & George Guest
Traditional: Te Lucis ante Terminum (after "Song Of The Birds")
by Helen Tunstall & Choir of New College, Oxford & Edward Higginbottom
J.S. Bach: St. Matthew Passion, BWV 244 / Part Two - No.68 Chorus I/II: "Wir setzen uns mit Tränen nieder"
by Stuttgart Hymnus Boys Choir & Stuttgarter Kammerorchester & Karl Münchinger


viernes, 19 de mayo de 2017

Vocal Sampling - Asi de Sampling 2017

Vocal Sampling - Así De Sampling

01 El Lunes Que Viene Empiezo
02 De Cuba
03 El Carretero
04 Tiene Que Haber De To
05 Every Breath You Take
06 Five Minutes More
07 Dolor Y Perdón
08 Está Lloviendo
09 Buscando Guayaba
10 El Juego
11 Blowing In The Wind
12 Dos Gardenias / Veinte Años
13 Tian Mi Mi
14 De Cuba (Radio Edit)

Aquí 

miércoles, 17 de mayo de 2017

Josquin Desprez - Stabat Mater

Josquin Desprez (1440-1521)
Stabat Mater, Motets

1. Ave Maria
2. Stabat Mater dolorosa
3. Salve Regina
4. Ave nobilissima creatura
5. O bone et dulcissime Jesu
6. Usquequo, Domine, oblivisceris me
7. Miserere mei, Deus

Playing time: 56'

Performers:
Annelies Coene, Laurence Orlowski, Dominique Verkinderen,
Graeme Curry, Vincent Darras, Catherine Joussellin, Bouke
Lettinga, Betty van den Berghe, Jean-François Barrès,
Josep Benet, Hervé Lamy, Angus Smith, Richard Wilson,
Renaud Machart, Frits Vanhulle, Laurent Bajou, Pieter
Coene, Kees Jan de Koning, Jean-Louis Paya

Recording date: May 1986

The performance is by a moderate-sized mixed choir.
This is the best selection of Josquin's motets available on one recording.
The Miserere is one of Josquin's finest compositions.

Le Chapelle Royale, dir: Phillipe Herreweghe

Aqui


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